¿ÕÁ¿¡ ¾É¾Æ ÀÖ´Â ¼º¸ð¿Í ¼¼·Ê ¿äÇÑ ºñÅä·¹ Ä«¸£ÆÄÄ¡¿ÀVittore Carpaccio(1465³â~1526³â) 1500³â°æ, À¯È, ¸ñÆÇ¿¡ À¯Ã¤, 126 x 96 cm ,¾Æºñ´¨ ÇÁƼÆÈ·¹ ¹Ì¼ú°ü ¼ÒÀå
CRANACH, Lucas the Elder Pieta beneath the Cross c. 1510 Oil and tempera on limewood, 63 x 41 cm Moravska Galerie, Brno FERNANDEZ, Gregorio Pieta Polychromed wood San Martin, Valladolid GRECO, El Pieta (The Lamentation of Christ) 1571-76 Tempera on panel, 29 x 20 cm Philadelphia Museum of Art, Philadelphia GUNTHER, Franz Ignaz Pieta 1758 Painted wood St Rupert Parish Church, Kircheiselfing GUNTHER, Franz Ignaz Pieta 1774 Painted wood, height: 163 cm Cemetery Chapel, Nenningen ROBERTI, Ercole de' Predella of Stories of Christ: 2. Pieta 1482 Oil on wood, 33 x 30 cm Walker Art Gallery, Liverpool SODOMA, Il Pieta c. 1540 Oil on canvas Galleria Borghese, Rome ........... MORALES, Luis de Pieta 1560s Oil on panel, 126 x 98 cm Real Academia de Bellas Artes, Madrid MASSYS, Jan Pieta Oil on canvas, 61 x 50 cm Private collection FLANDRIN, Hippolyte Pieta 1842 Oil on canvas, 172 x 258 cm Musee des Beaux-Arts, Lyon MONTAUTI, Antonio Pieta c. 1734 Marble Corsini Chapel, San Giovanni in Laterano, Rome UNKNOWN MASTER, Bohemian Jihlava Pieta 1400-10 Stone St Ignatius Church, Jihlava
±³È²°ú ¸¸³ ¼ø·ÊÀÚµé-ºñÅä·¹ Ä«¸£ÆÄÄ¡¿À Vittore Carpaccio(1465³â~1526³â) ÀÌÅ»¸®¾Æ º£³×Ä¡¾Æ 1493³â°æ, ĵ¹ö½º¿¡ À¯Ã¤, 307 x 281 cm,¾ÆÄ«µ¥¹Ì¾Æ ¹Ì¼ú°ü ¼ÒÀå
¿¹¼ö ½ÊÀÚ°¡ Áö½É (Christ Carrying the Cross) ¾ÈÅä´Ï¿À ÇÁ¶õÄ¡½ºÄÚ ¸®½ºº¸¾Æ(LISBOA, Antonio Francisco), 1796-99, ¿©·¯°¡Áö »ö±òÀÇ ¸ñÀç, Congonhas do Campo Áö¼º¼Ò, ºê¶óÁú
ÇÇ¿¡Å¸(Pieta) 16¼¼±â°æ, °ø¿¹Ç° µ¸À»¹«´Ì ¾ÐÂø ¼¼°ø, µµ±Ý, 23 x 14 cm, ¸± ¹Ì¼ú°ü ¼ÒÀå ÇÇ¿¡Å¸(Pieta) º£Ã¿¸®¿À Ƽġ¾Æ³ë(Vecellio Tiziano) ÀÌÅ»¸®¾Æ(1485~1576) 1576°æ, À¯È, ĵ¹ö½º¿¡ À¯Ã¤, 348 x 353 cm, ¾ÆÄ«µ¥¹Ì¾Æ ¹Ì¼ú°ü¼ÒÀå Pieta,DAVID, Gerard Oil on wood, Oskar Reinhart Collection,
³× »çµµ¿¡°Ô ÃູÀ» ³»¸®´Â ±¸¼¼ÁÖ ºñÅä·¹ Ä«¸£ÆÄÄ¡¿ÀVittore Carpaccio(1465³â~1526³â) ÀÌÅ»¸®¾Æ 1480³â°æ, ¸ñÆÇ¿¡ À¯Ã¤, 68 x 70 cm, ÄÜƼ´Ï-º¸³ªÄڽà ¹Ì¼ú°ü ¼ÒÀå
¼º ½ÊÀÚ°¡ÀÇ ±âÀû (The Miracle of the Relic of the Holy Cross) ºñÅä·¹ Ä«¸£ÆÄÄ¡¿ÀVittore Carpaccio(1465³â~1526³â) ÀÌÅ»¸®¾Æ º£³×Ä¡¾Æ 1494³â, ĵ¹ö½º¿¡ À¯Ã¤, 389 x 365 cm, ¾ÆÄ«µ¥¹Ì¾Æ ¹Ì¼ú°ü ¼ÒÀå
µ¿Á¤³à(The Virgin Cardiotissa) ¾ÈÁ©·Î½º ¾ÆÄÅ佺(AKOTANTOS, Angelos), 1400-50, Æгο¡ ÀÙ°ú ÅÛÆä¶ó, 121 x 96,5 cm, ºñÀÜƾ°ú ±âµ¶±³¹Ì¼ú°ü, ±×¸®½º ¾ÆÅ׳×
½ÊÀÚ°¡¿¡¼ ³»·ÁÁö´Â ±×¸®½ºµµ Á¦¶ó¸£ ´Ùºñµå(Gerard David) 1500 ~ 1510°æ, À¯È, ¸ñÆÇ¿¡ À¯Ã¤, 62 x 63 cm, ·±´ø ³»¼Å³Î °¶·¯¸® ¼ÒÀå
õ»ç¿Í ÇÔ²² ¾Æ±â ¿¹¼ö¸¦ °æ¹èÇÔ(Adoration of the Child with Angel) ¸¶¸®¿ÀÅä ¾Ëº£¸£Æ¼³Ú¸®(ALBERTINELLI, Mariotto), 1497-99, ÆгÎ, Á÷°æ 86 cm, ÆȶóƼ³ª ¹Ì¼ú°ü, ÀÌŸ® Ç÷η»½º
¼º°¡Á·(The Holy Family) ÇÁ¶õü½ºÄÚ ¾Ë¹Ù´Ï(ALBANI, Francesco 1578.3.17 ~ 1660.10.4) ÀÌÅ»¸®¾ÆÀÇ È°¡ 1610³â°æ, ±¸¸®¿¡ À¯Ã¤, 37,5 x 28,5 cm, °³ÀÎ ¼ÒÀå ÀÌÅ»¸®¾ÆÀÇ È°¡. º¼·Î³ÄÈÆÄ¿¡ ¼ÓÇÏ´Â È°¡·Î¼ ¸¹Àº Á¦´ÜÈ(ð®Ó¦ûþ)¸¦ ±×·È´Ù. 1616³â ÀÌÈÄ ÁÖ·Î ¿ìÀÇÈ(éÕëòûþ)³ª dz°æȸ¦ ±×·È´Âµ¥ ·Î¸¶¿¡¼´Â 'ȸÈÀÇ ¾Æ³ªÅ©·¹¿Â(BC 5¼¼±âÀÇ ±×¸®½º ½ÃÀÎ)'À¸·Î ºÒ·È´Ù. 17¡18¼¼±â¿¡ ±×ÀÇ ¿ì¾ÆÇÏ°í ¾Æ¸§´Ù¿î ÀÛÇ°Àº ³ôÀÌ Æò°¡µÇ¾ú´Ù. (µÎ»ê¹é°ú)
´ëõ»çµéÀÇ ¸ðÀÓ(The Congregation of the Archangels) ¾ÈÁ©·Î½º ¾ÆÄÅ佺(AKOTANTOS, Angelos), Æгο¡ ÅÛÆä¶ó, ¹ÙÅäÆäµð¿ä ¼öµµ¿ø, ¾ÆÅ佺 »ê
Lamentation over the Dead Christ 1477-80 Terracotta, partially pigmented, life-size San Giovanni Battista, Modena ±×¸®½ºµµÀÇ Á×À½À» ¾Öµµ lamentation À̵µ ¸¶ÃÊ´Ï(Guido Mazzoni,1450~ 1518) ÀÌÅ»¸®¾Æ Ãʱ⠸£³×»ó½º Á¶°¢°¡ 1492-94, Glazed terracotta ,Sant'Anna dei Lombardi, Naples
¼ö»ê³ª¿Í ³ëÀεé(Susanna and the Elders), 1520-25 ¿¡¾î¸£Æ® ¹Ý ¿À¸£Æ®(AERT VAN ORT) ³×µ¨¶õµå À¯¸®È°¡(active 1490-1536) ½ºÅ×Àεå±Û¶ó½º Á÷°æ24cm, ´º¿å ¸ÞÆ®·ÎÆú¸®Åº ¹Ì¼ú°ü
¿¬ÁÖÀÚ Ãµ»çµé(Musician angels) ¾Æ°í½ºÆ¼³ë µð µÎÄ¡¿À(AGOSTINO DI DUCCIO), 1450-55, ´ë¸®¼®, ÅÛÇÇ¿À ¸»¶óÅ×½ºÆ¼¾Æ³ë, ¸®¹Ì´Ï
õ»ç °¡ºê¸®¿¤(The Angel Gabriel) ¾Æ°í½ºÆ¼³ë µðµÎÃÊÀÛ, Terracotta with traces of paint, ³ôÀÌ 146 cm ¾Æ°í½ºÆ¼³ë µðµÎÃÊ(AGOSTINO DI DUCCIO) 1418 ~ 1498 ÀÌÅ»¸®¾ÆÀÇ °ÇÃà°¡, ÇÇ·»Ã¼ÆÄÀÇ ´ë¸®¼® Á¶°¢°¡
Åƹö¸°°ú ·ùÆ®¸¦ ¿¬ÁÖÇϴ õ»çµé(Angels Playing a Lute and Tambourine) ¾Æ°í½ºÆ¼³ë µð µÎÄ¡¿À(AGOSTINO DI DUCCIO), 1457-61, ´ë¸®¼®, »ê º£¸£³ª¸£µð³ë ¿À¶óÅ丮¿À, Æä·çÁö¾Æ Åƹö¸°°ú ·ùÆ®¸¦ ¿¬ÁÖÇϴ õ»çµé(¼¼ºÎ)
ÈÖÀåÀ» Àâ¾Æ´ç±â°í Àִ õ»ç(An angel drawing back a curtain) ¾Æ°í½ºÆ¼³ë µð µÎÄ¡¿À(AGOSTINO DI DUCCIO), 1450-55 ´ë¸®¼®, ÅÛÇÇ¿À ¸»¶óÅ×½ºÆ¼¾Æ³ë, ¸®¹Ì´Ï
½Ã¿¡³ªÀÇ »ê º£¸£³ª¸£µð³ëÀÇ ±âÀû(A Miracle of San Bernardino of Siena) ¾Æ°í½ºÆ¼³ë µð µÎÄ¡¿À(AGOSTINO DI DUCCIO) 1457-62, ´ë¸®¼®, »ê º£¸£³ª¸£µð³ë ¿À¶óÅ丮, Æä·çÁö¾Æ
¿¹¼öÀÇ »ý¾Ö¿Í °ü·ÃÇÑ Àå¸éµé(Scenes from the Life of Christ) ·çÀ̽º ¾Ë¸µºê·ÎÆ®(ALINCBROT, Louis), 1440³â´ë, Æгο¡ À¯Ã¤, 78 x 67 cm, ÇÁ¶óµµ ¹Ì¼ú°ü, ½ºÆäÀÎ ¸¶µå¸®µå
Ä«¸£¹Ì³×ÀÇ ¼º¸ð ¸¶¸®¾Æ(Madonna del Carmine) ¾Æ°í½ºÆ¼³ë µðµÎÃÊÀÛ, ´ë¸®¼®, ³ôÀÌ 83 cm Museo Nazionale del Bargello, Florence ÀÌÅ»¸®¾Æ Ç÷η»½º, ¹Ù¸£Á©·Î ±¹¸³ ¹Ì¼ú°ü ¾Æ°í½ºÆ¼³ë µðµÎÃÊ(AGOSTINO DI DUCCIO) 1418 ~ 1498 ÀÌÅ»¸®¾ÆÀÇ °ÇÃà°¡, ÇÇ·»Ã¼ÆÄÀÇ ´ë¸®¼® Á¶°¢°¡
¼º¸ð ¸¶¸®¾Æ¿Í ¾Æ±â ¿¹¼ö (Virgin and Child) c. 1450 ,Å׶óÄÚŸ, ¿òºê¸®¾Æ ±¹¸³¹Ì¼ú°ü ¾Æ°í½ºÆ¼³ë µðµÎÃÊ(AGOSTINO DI DUCCIO) 1418 ~ 1498 ÀÌÅ»¸®¾ÆÀÇ °ÇÃà°¡, ÇÇ·»Ã¼ÆÄÀÇ ´ë¸®¼® Á¶°¢°¡