µ¿Á¤³àÀÇ ´ë°ü½Ä(The Coronation of the Virgin) ¹Ù¸£Åç·Î µð ÇÁ·¹µð Bartolo di Fredi 1388, Tempera on panel, 332 x 279 cm Museo Civico e Diocesano d'Arte Sacra, Montalcino The Coronation of the Virgin (detail) ÀÌÅ»¸®¾Æ ½Ã¿¡³ªÆÄÀÇ È°¡. ½Ã¿¡³ª¿¡¼ Ãâ»ý, ±×°÷¿¡¼ »ç¸Á. 1353³â, ½Ã¿¡³ª¿¡¼ ¾Èµå·¹¾Æ ¹Ù´Ï(Andrea Vanni, 1332°æ 1414)¿Í °øµ¿À¸·Î °ø¹æ(ÍïÛ®)À» °³¼³. ±× ¾ç½ÄÀº ´ç½Ã ½Ã¿¡³ª ÆÄ È¸ÈÀÇ Á¦ °æÇâÀ» È¥ÇÕÇÑ °ÍÀ¸·Î¼ óÀ½¿¡´Â ¾Ïºê·ÎÁö ·Î·»Ã¼Æ¼ÀÇ ¿µÇâÀ» ¹Þ¾Æ ¡º½ÅÀüÀÇ ºÀÇå¡»(·çºê¸£ ¹Ú¹°°ü)µîÀ» ±×·ÈÁö¸¸, ÈÄ¿¡´Â ¸®Æ÷ ¸à¹Ì, ¹Ù¸£³ª µîÀÇ ¿µÇâÀ» ¹Þ¾Æ ½ÇÈÀû ¼¼ºÎ¹¦»çµî °íµñÀû Ư»öÀ» º¸ÀÓ. ´ëÇ¥ÀÛÀº ¡º¸¶±âÀÇ ¿¹¹è¡»(½Ã¿¡³ª ±¹¸³È¸È°ü), »ê Áö¹Ì³Ä³ëÀÇ »ê Ÿ°í½ºÆ¼³ë ¼º´ç º®È ¡º¼º¸ðÀü¡»
Caravaggio, Michelangelo Merisi da Caravaggio ÀÌ»èÀÇ Èñ»ý(c. 1605) Oil on canvas, 116 x 173 cm Piasecka-Johnson Collection, Princeton ÀÌ»èÀÇ Èñ»ý / CIGOLI CIGOLI, The Sacrifice of Isaac, c. 1607 ÀÌ»èÀÇ Èñ»ý / TIEPOLO, Giovanni Battista TIEPOLO, Giovanni Battista, The Sacrifice of Isaac, 1726-29 ÀÌ»èÀÇ Èñ»ý / DOMENICHINO DOMENICHINO, The Sacrifice of Isaac, 1627-28 ÀÌ»èÀÇ Èñ»ý
¼ºÀü¿¡ ºÀÇåµÇ´Â ±×¸®½ºµµ (The Presentation in the Temple) ¹Ù¸£Åç·Î µð ÇÁ·¹µð (Bartolo di Fredi) Wood Æĸ®, ·çºê¸£¹Ú¹°°ü
Georges Desvallieres - »ì·Î¸Þ Pierre Bonnaud - »ì·Î¸Þ Raphael Kirchner - »ì·Î¸Þ
Ƽġ¾Æ³ë, ¾Æ´ã°ú À̺ê Titian. Adam and Eve. c.1550. Oil on canvas. Museo del Prado, Madrid, Spain Lucas Cranach the Elder. Adam and Eve. 1528. Oil on panel. Galleria degli Uffizi, Florence, Italy Ȧ¹ÙÀÎ, ¾Æ´ã°ú À̺ê, 1517 ¸¶ºÎ½º, ¾Æ´ã°ú À̺ê, 1505-7
¾Ëºê·¹È÷Æ® ¾ËÆ®µµ¸£ÆÛ(Albrecht ALTDORFER) ¼º Á¦¿À¸£Áö¿À(st George) 1511, ¸ñÆÇ197 x 152 mm, ºñ¿£³ª, ¾Ëº£¸£Æ¼³ª ¹Ì¼ú°ü
¾Ëºê·¹È÷Æ® ¾ËÆ®µµ¸£ÆÛ(Albrecht ALTDORFER), ·¹°Õ½ººÎ¸£Å©ÀÇ ¾Æ¸§´Ù¿ì½Å µ¿Á¤³à(The Beautiful Virgin of Regensburg) 1519-20, Woodcut with five tone blocks, 340 x 245 mm, ¹Ì±¹ ¿ö½ÌÅÏÀÇ ±¹¸³ ¹Ì¼ú°ü
ÃÖÈÄÀÇ ½ÉÆÇ, ¶óÆÄ¿¤(Raphael Coxcie)1600 ÃÖÈÄÀÇ ½ÉÆÇ, ÇÁ·Îº¸½ºÆ®(Jan Provost (1465-1529)1525³â
¼º¸ð ¿µº¸(á¡Ù½çÐÜÃ) ÇÁ¶ó¾ÈÁ©¸®ÄÚ (Fra Angelico) The Annunciation ¼öÅ°íÁö 1440-41 Fresco (H190cm) Convento di San Marco - »ê ¸¶¸£ÄÚ ¼öµµ¿ø
¿ä¾ÆÅ´¿¡°Ô ¼ºº¸¿µº¸(The Annunciation to Joachim) ¹Ù¸£Åç·Î µð ÇÁ·¹µð (Bartolo di Fredi) c. 1383, Tempera and gold on wood, 25 x 37 cm ¹ÙÆ¼Ä ÇdzªÄÚÅ×Ä«
¿¹¾ðÀÚ ´Ù´Ï¿¤(The Prophet Daniel) ¾ÈÅä´Ï¿À ÇÁ¶õÄ¡½ºÄÚ ¸®½ºº¸¾Æ(LISBOA, Antonio Francisco), 1800-05, µ¹, Congonhas do Campo Áö¼º¼Ò, ºê¶óÁú
µ¿¹æ¹Ú»çÀÇ °æ¹è (The Adoration of the Magi) 1385-88 ¹Ù¸£Åç·Î µð ÇÁ·¹µð (Bartolo di Fredi) Æгο¡ ÅÛÆä¶ó, 195 x 163 cm ¹Ú¹°°ü, ÀÌŸ® ½Ã¿¡³ª
Çѽº ¸â¸µÀÇ µ¿¹æ¹Ú»çÀÇ °æ¹è, Hans Memling, Adoration of the Magi , c. 1470, Oil on wood, 96.4 x 147 cm, Museo del Prado, Madrid
Çʸ®ÇÇ³ë ¸®ÇÇÀÇ µ¿¹æ¹Ú»çÀÇ °æ¹è , Filippino Lippi, Adoration of the Magi, 1496, Oil on wood, 258 x 243 cm Galleria degli Uffizi, Florence ,
ÇÁ¶õÄ¡½ºÄÚ µ¥ ¼ö¸£¹Ù¶õÀÇ µ¿¹æ¹Ú»çÀÇ °æ¹è , Francisco de Zurbaran, Adoration of the Magi , 1639-40, Oil on canvas, 264 x 176 cm, Musée des Beaux-Arts, Grenoble ,
±×¸®½ºµµ ź»ý°ú ¸ñµ¿µéÀÇ °æ¹è Nativity and Adoration of the Shepherds ¹Ù¸£Åç·Î µð ÇÁ·¹µð (Bartolo di Fredi) c. 1383, Tempera and gold on wood, 50 x 35 cm ¹ÙÆ¼Ä ÇdzªÄÚÅ×Ä«
ÇÁ¶ó Çʸ®Æ÷ ¸®ÇÇÀÇ µ¿¹æ¹Ú»çÀÇ °æ¹è, Fra Filippo Lippi, Adoration of the Magi , c. 1445, Wood, diameter 137 cm, National Gallery of Art, Washington ,
ÄÚ½º¸Þ Åõ¶óÀÇ µ¿¹æ¹Ú»çÀÇ °æ¹è, Cosmè Tura, Adoration of the Magi , (from the predella of the Roverella Polyptych), 1474, Tempera on wood, , diameter 38 cm, Fogg Art Museum, Cambridge
ÆĿ÷Πº£·Î³×¼¼ÀÇ µ¿¹æ¹Ú»çÀÇ °æ¹è , Paolo Veronese, Adoration of the Magi, 1582, Oil on canvas Basilica dei Santi Giovanni e Paolo, Venice
¸¶½ºÅÍ ÇÁ¶ûÄÉÀÇ µ¿¹æ¹Ú»çÀÇ °æ¹è, Master Francke, Adoration of the Magi 1424, Tempera on oak, 99 x 89,3 cm, Kunsthalle, Hamburg