(ÀÌÄÜ)¹°°áÀ» ´Ù½º¸®½Ã´Â ¼º¸ð ÀÌ ÀÌÄÜÀº <¹°°áÀ» ´Ù½º¸®½Ã´Â ¼º¸ð>¶ó´Â Á¦¸ñÀ¸·Î ¾Ë·ÁÁ® ÀÖ´Ù. ¿Ö ÀÌ·¯ÇÑ Á¦¸ñÀÌ ºÙ¾ú´ÂÁö´Â ¸ð¸£°Ú´Ù. ¹°°áÀ̶ó´Â Àǹ̰¡ ¼¼»óÀÇ Ç³Æĸ¦ ÀǹÌÇÏ´Â °ÍÀÎÁö ¿¹¼ö´ÔÀÇ ¸öÀÌ ´Ù¸¥ ÀÌÄÜ°ú´Â ´Ù¸£°Ô µÚ·Î ³Ñ¾îÁú µíÇÑ À§ÇèÇÑ ¸ð½À¿¡ ¼º¸ð´Ô²²¼ º¸È£ÇÏµí ¹ÞÄ¡°í Àֱ⿡ ±×·¯ÇÑ Á¦¸ñÀÌ ºÙ¾ú´ÂÁö´Â ¸ð¸£Áö¸¸ Á» »ý¼ÒÇÑ Á¦¸ñÀÌ´Ù. óÀ½ ÀÌ ÀÌÄÜÀ» ¹Ù¶óº¸¾ÒÀ» ¶§ ±Ù½É ¾î¸° ¼º¸ð´ÔÀÇ ´«ºûÀÌ ¾Æ±â ¿¹¼ö´ÔÀÇ ºÒ¾ÈÇÑ ÀÚ¼¼ ¶§¹®À̶ó°í »ý°¢ÇÏ¿´´Ù. ±×·±µ¥ ¹Ù¶óº¼¼ö·Ï ´ã°Ü ÀÖ´Â ½½ÇÄÀÌ ÀÖ´Ù. ±× ½½ÇÄÀÌ ¿ì¸®¸¦ ¹Ù¶óº¸°í °è½Å´Ù. ÀÌÄÜÀ» ÀÀ½ÃÇϸç Àá½Ã ¼º¸ð´ÔÀÇ ½½ÇÄ¿¡ ¸¶À½ÀÌ ¸Ó¹°·¶´Ù. ½Ã¸Þ¿ÂÀÇ ¿¹¾ð ¶§¹®ÀÌ¿´À»±î. ¹«¾ùº¸´Ù ´ç½Å Ç° ¾È¿¡ ¸Ó¹® ±×ºÐÀÇ Çظ¼À½ÀÌ ´õ¿í ¸¶À½À» ¾Æ¸®°Ô ÇÑ µí, ¼º¸ð´ÔÀÇ ÀÔ¼úÀº °¡º±°Ô ¿¹¼ö´ÔÀÇ º¼À» ½ºÄ£´Ù. ¸Ó¸®¸¦ µÚ·Î ÇÑ Ã¤ ¾î¸Ó´Ï¸¦ ÇâÇØ ÀÖÁö¸¸ ±×ºÐÀÇ ´«±æ ¶ÇÇÑ ¿ì¸®¸¦ ÀÀ½ÃÇÏ°í ¼º¸ð´ÔÀÇ ¾ó±¼À» ÇÑ ¼ÕÀ¸·Î ¾î·ç¸¸Áø´Ù. ¾î¶°ÇÑ µÎ·Á¿ò ¶§¹®ÀÎÁö ´Ù¸¥ ÇÑ ¼ÕÀº ³Ñ¾îÁöÁö ¾ÊÀ¸·Á°í ±×ºÐÀÇ ¼ÕÀ» ã´Â µíÇÏ´Ù. »ç¶û ¶§¹®¿¡ ¿ì¸®¿¡°Ô ¿À½Å ±×ºÐÀº, ±× »ç¶û ¶§¹®¿¡ »ý¸í±îÁö ³»¾î³õ¾Æµµ Àΰ£Àº ¸ðµÎ ±×ºÐÀÇ °çÀ» ¶°³µ´Ù. ¿ÀÁ÷ ¾î¸Ó´Ï¸¸ÀÌ Ã³ÂüÇÑ Á×À½ÀÇ ¾ÆµéÀ» Ç°¿¡ ¾ÈÀ¸¼ÌÀ» »Ó. ±×·¡¼ÀÎÁö ¼º¸ð´ÔÀÇ ¿Þ¼ÕÀº ¿¹¼ö´ÔÀÌ ³Ñ¾îÁöÁö ¾Êµµ·Ï ÀâÀº µ¿½Ã¿¡ ¿À¸¥¼ÕÀº ±×¸®½ºµµÀÇ °í±ÍÇÑ È÷¸¶Æ¼¿ÂÀ» Áã°í °è½Å´Ù. Àΰ£Àº ÀÌ·¸°Ô »ý¸íÀÇ ¶¥°ú »ý¸íÀ̽ŠºÐÀ» Ȧ´ë(ûìÓâ)ÇÏ¿´´Ù. ¼º¸ð´ÔÀÇ ´«ºû¿¡ ´ã±ä ½½ÇÄÀº ¹Ù·Î ÀÌ·¯ÇÑ Àΰ£À» ¹Ù¶óº¸´Â ÃøÀºÇÔÀÌ ¾Æ´Ò±î. -ÀÓ ·ç½Ã¾Æ ¼ö³à(Çѱ¹¼ø±³º¹ÀÚ¼ö³àȸ)
¾Æ±â ¾î¸Ó´Ï¿Í ±× ¾Æµé (Die Kniende Mutter und ihr Sohn:1907) ÀÛ°¡ : ÆÄ¿ï¶ó ¸àµ¨¸£¼Õ º£Ä¿ (Paola Mendersohn Becker :1876- 1908) Ä˹ö½º À¯Ã¤ : 82X 124,7cm ,µ¶ÀÏ ºê·¹¸à(Bremen) ·çµåºò ·Î¼¿¸®¿ì½º ¹Ì¼ú°ü
Æäµå·Î º£·ç°ÔÅ×ÀÇ ´ÙÀ , Pedro Berruguete, David, c. 1500, Oil on wood, 110 x 80 cm Santa Eulalia, Paredes de Nava ,
Áö¾ÆÄڸ𠵨 Æ÷ÀÇ ÇÏÇÁ¸¦ ¿¬ÁÖÇÏ´Â ´ÙÀ ¿Õ , Giacomo del Po, King David Playing the Harp Oil on canvas, 47 x 42 cm , Private collection
Peter Paul Rubens (1577-1640) Virgin And Child Adored By Angels Oil on canvas, 1608 167 1/4 x 98 3/8 inches (425 x 250 cm) Private collection
Anthony van Dyck. The Crowning with Thorns. 1620. Oil on canvas. Prado, Madrid, Spain
Duccio di Buoninsegna. Maestà (back, central panel): Jesus Before Annas. 1308-11. Tempera on wood panel. Museo dell'Opera del Duomo, Siena, Italy
Petrus Christus. Chtist as the Man of Sorrows. c. 1450. Oil on wood. Birmingham Museum and Art Gallery, Birmingham, UK
nder Ivanov. Joseph's Brothers Find the Silver Goblet in Benjamin's Pack. Sketch. 1831-1833. Oil on canvas. The Tretyakov Gallery, Moscow, Russia Church of San Nicolo, Cingoli
Giotto. The Mocking of Christ and Flagellation. 1304-1306. Fresco. Capella degli Scrovegni, Padua, Italy.
Aert de Gelder. Christ in the Garden of Gethsemane. Oil on wood. New York, collection of Richard L. Feigen
õ±¹ÀÇ ¹®- Çѽº ¸â¸µ(Hans Memling) 1467-71³â°æ, ¡®ÃÖÈÄÀÇ ½ÉÆÇ ¼¼ Æø Á¦´ÜÈ¡¯ ¸ñÆÇ¿¡ À¯Ã¤, ´Ü½ºÅ© ³ª¶óµµ¿þ ¹Ì¼ú°ü, Æú¶õµå õ±¹ÀÇ ¹®(ºÎºÐ)
¹Ù¿ïÀÇ È²È¦°æ Nicolas Poussin. The Ecstasy of St. Paul. 1643. Oil on canvas. Louvre, Paris, France
Nikolay Gay. "Quod Est Veritas?" Christ and Pilate. 1890. Oil on canvas. The Tretyakov Gallery, Moscow, Russia
Duccio di Buoninsegna. Maestà (back, central panel): Pontius Pilate Washing his Hands. 1308-11. Tempera on wood panel. Museo dell'Opera del Duomo, Siena, Italy.
Nicolas Poussin. The Victory of Joshua over Amorites. 1624-1626. Oil on canvas. The Pushkin Museum of Fine Art, Moscow, Russia
¼ºÀü¹®¿¡¼ÀÇ ¸¸³² L'incontro alla porta aurea , Áö¿ÀÅä Giotto Áö¿ÀÅä µð º»µµ³×Giotto di Bondone(Vespignano, 1267 – Firenze, 8 gennaio 1337)
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Áö°ÅÄê´õ(1925- ), 'ÃÖÈÄÀÇ ¸¸Âù', À¯È, °³ÀμÒÀå, µ¶ÀÏ µ¶ÀÏÀÇ È°¡ ½ÅºÎÀÎ Áö°Å Äê´õ´Â ÀÌ ÀÛÇ°À» Ç¥ÇöÁÖÀÇ È¹ýÀ¸·Î ±×·È½À´Ï´Ù. ¾îµÐ ¹ã Á¼Àº ´Ù¶ô¹æ¿¡ ¿¹¼ö´Ô°ú Á¦ÀÚµéÀÌ ½ÄŹ¿¡ ¾É¾Æ À½½ÄÀ» ³ª´©°í ÀÖ½À´Ï´Ù. ±×·¯³ª È°¡´Â ¿¹¼ö´ÔÀ» Á÷Á¢ ±×¸®Áö ¾Ê°í, ¼ºÇ÷¿¡ ºñÄ£ ¾ó±¼À» Ç¥ÇöÇÏ¿´½À´Ï´Ù. ¿¹¼ö´ÔÀº ¼ÕÀ¸·Î ÃູÀ» Áֽøç ÀÌ ÀÛÇ°À» º¸°í ÀÖ´Â ¿ì¸®ÀÇ ÀÚ¸®¿¡ ÇÔ²² ¾É¾Æ °è½Ê´Ï´Ù.